gd1982-09-17.mtx.dts.82184.sbefail.flac16 Grateful Dead etree GratefulDead etree sound Disc 1 - Set 1 01 [06:20] Bertha > 02 [04:06] Promised Land 03 [06:23] Candyman > 04 [08:05] CC Rider 05 [07:36] Althea 06 [03:13] Me & My Uncle > 07 [05:32] Big River 08 [05:40] Dupree\'s > 09 [07:03] It\'s All Over Now 10 [07:31] West LA Fadeaway 11 [05:33] Throwing Stones > * 12 [05:39] Deal TT [62:30] Disc 2 - Set 2a 01 [06:51] Touch of Grey > 02 [06:16] Women Are Smarter 03 [07:23] High Time 04 [12:25] Estimated Prophet > 05 [08:48] Eyes of the World > 06 [06:56] Drums > TT [48:40] Disc 3 - Set 2b 01 [04:55] Space > 02 [02:35] Spanish Jam > 03 [07:03] The Other One> 04 [05:30] GDTRFB > 05 [08:45] Morning Dew > 06 [08:31] Sugar Magnolia Encore 07 [05:07] US Blues TT [42:39] 1982-09-17 1982 Soundboard;DTS;Matrix;Dan Haugh 2008-01-18 03:59:48 2008-01-17 14:16:43 mvernon54@yahoo.com Matthew Vernon Matthew Vernon Matthew Vernon 2008-01-18 04:27:45 2008-01-18 05:28:58 2008-03-16 22:40:57 Cumberland County Civic Center Portland, ME See info file See info file Dan Haugh 323f675ad91b4d7a39d8b6cda60578ab *gd1982-09-17-haugh-dts-d1t01.flac 3370c48a8b11b56d3c4d53e96fa29361 *gd1982-09-17-haugh-dts-d1t02.flac d327c4604d1ff71b9088b31e792a873e *gd1982-09-17-haugh-dts-d1t03.flac 671115398e63e311097e4f9c5550ce1e *gd1982-09-17-haugh-dts-d1t04.flac 49e2041c0af2ca6cd545c9e874aba07e *gd1982-09-17-haugh-dts-d1t05.flac 3ceb4c0112b87d5f6a4b7f9ddf35d1d7 *gd1982-09-17-haugh-dts-d1t06.flac a0541ed8f7ee06923a5e493eeb2179ef *gd1982-09-17-haugh-dts-d1t07.flac 3fa434140d2600567c63b4624bc18b39 *gd1982-09-17-haugh-dts-d1t08.flac ee8832e447177af999816e3036df2cbd *gd1982-09-17-haugh-dts-d1t09.flac 0716a1166e17d73ca60d2dc48f54efdb *gd1982-09-17-haugh-dts-d1t10.flac 5e985962fb5ea6c8af59ab79c38f5fd4 *gd1982-09-17-haugh-dts-d1t11.flac 790b3c7028e17eada9cb12eb109f487f *gd1982-09-17-haugh-dts-d1t12.flac b8e1288188b49667311daeb0add19fc0 *gd1982-09-17-haugh-dts-d2t01.flac 76c71d2a809ede48b5c30b22cb9a6d22 *gd1982-09-17-haugh-dts-d2t02.flac fc63d7af5f82df31b29bd6ca1a9d1210 *gd1982-09-17-haugh-dts-d2t03.flac f4013962858304bff77f05711b9acd5d *gd1982-09-17-haugh-dts-d2t04.flac 64539e1cf3146627ed7920e8c7d17f79 *gd1982-09-17-haugh-dts-d2t05.flac d141b4d61a61c0931f0fa53cdd730bb0 *gd1982-09-17-haugh-dts-d2t06.flac 2019056cdd76ee8fd1051bf2f15e6c6d *gd1982-09-17-haugh-dts-d3t01.flac 6174c41eb020d04ab76f0cd24f3d84e2 *gd1982-09-17-haugh-dts-d3t02.flac d80a06f88750c774401cf066d4e60c03 *gd1982-09-17-haugh-dts-d3t03.flac 8234b947102b0e95740d03fc02317904 *gd1982-09-17-haugh-dts-d3t04.flac 8a842ac1f11c415eaa30eb44541b40a1 *gd1982-09-17-haugh-dts-d3t05.flac fcf1f2f40df47a643a050a27e7a34f54 *gd1982-09-17-haugh-dts-d3t06.flac e335f01ddf7c557c1b68c71bbebd2196 *gd1982-09-17-haugh-dts-d3t07.flac * first time played Source Info SBD Set 1. Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge > CDR (Gen 1) > EAC > Flac Set 2. Recording: SBD > ? (likely cassette master) * Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison * B/c of the consistent speed and low levels of hiss I am sure it is from a cassette master. Additional note by: Dan Haugh AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen Transfer: Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) by Mark Cohen Encoding: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Feurio/mkwACT by David Minches AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC > CEP > CDWave > CDRWin > Yamaha CR8424 CDR AUD3 Unknown AUD (was thought it may be a matrix, which it is not) Thanks to Dr.B.Fried for his copy. Conversion by Mike Lai Thanks to all the hard work from the folks mentioned above in their loving care getting these sources out. All 3 audience recordings were nothing short of spectacular and the transfer jobs to digital were all very well done. --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch all of the sources. SF8.0 was used for the EQ setting pre mixdown. This is a 55% SBD, 15% AUD1, 15% AUD2, 15% AUD3 mix. - Mixed by dan@am-dig.com - FLAC conversion done 15-JAN-2007 - Artwork at 300dpi by dan@am-dig.com - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD+AUD DEQ\'d Matrix 90%-SBD/10%-AUD1 Right Channel SBD+AUD DEQ\'d Matrix 90%-SBD/10%-AUD1 Center Mono Mix -5db SBD DEQ\'d Surround Left Channel AUD+AUD DEQ\'d Matrix 60%AUD2+40%AUD3 Right Channel AUD+AUD DEQ\'d Matrix 60%AUD2+40%AUD3 Sub/LFE Mono Mix -5db SBD+AUD DEQ\'d Matrix 70%SBD+30%AUD1 --------------------------------------------------------- Notes This 5.1 mix utilizes 5 fully discrete channels. The SBD and all 3 AUD sources all had cuts between just about every song in the first set. The SBD was even missing a note or two at the start of each song. A huge effort was made to make the first set flow as naturally as possible. In most cases the transition from song to song sounds very good as if the Dead weren\'t tuning up much and just rattling off song after song. Losing a naturally flow and between song cuts are a big pet peeve of mine. I hope you enjoy all the hard work that went to keep this sounding smooth and natural. d1t01 \"Bertha\" first 8 seconds is from a matrix mix of AUD sources D\'EQed. Then a several second crossfade to the SBD. This is very short and the patch ends before the lyrics begin. Hardly noticeable and not at all distracting. d1t04 \"CC Rider\" the line \"see what you done done\" sounds like a tiny skip but it is on the SBD and all 3 AUDs so it was also coming over the PA. Probably a problem with Bobby\'s microphone. There is also an echo effect on the vocals. This is not a synch issue. d1t05 \"Althea\" first 2 seconds is from a matrix mix of AUD sources D\'EQed. Then a several second crossfade to the SBD. This is very short patch, hardly noticeable and not at all distracting. d2t01-02 \"Touch > Women\" is made entirely from a mix of all 3 AUD sources. Fun to hear both a stereo mix of all 3 AUD recordings and even better in the 5.1 multichannel mix. d2t01 \"Touch Of Grey\" was missing 3.187 seconds from the AUD3 source. This was patched with a matrix mix of AUD1 + AUD2. d2t01 \"Touch Of Grey\" Weir hits a real sour note at the start of the song. Out of tune and bad timing. This is not a synch issue d2t05 \"Drums\" cassette flips in all 3 AUD sources during different portions. B/c these were all located at different spots complete coverage was achieved. d3t03 \"Spanish Jam\" cassette flip in SBD source. There was approx 12 seconds of missing material patched with a matrix mix of all 3 sources. Plus 5 second crossfades at each end to make the source transition as smooth as possible. This came out real nice and is hardly noticeable and not at all distracting. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Front Matrix SBD -1 AUD1 -9 Rear Matrix AUD2 -4 AUD3 -9 Sub/LFE Matrix SBD -3db AUD1 -7.5db SET TWO Front Matrix SBD -2 AUD2 -10 Rear Matrix AUD2 -4 AUD3 -9 Sub/LFE Matrix SBD -3.5db AUD1 -8db --------------------------------------------------------- Editorial Comments This is a fantastic show with too many highlights to mention. The ultra clear SBD was a perfect candidate for a matrix mix as these great AUDs really opened the recording up. One of the earliest SBDs I collected in High School with a known analog generation (3rd gen). That cassette was also missing the Touch > Women opener which leads me to believe that there is no SBD recording for those 2 tunes. Listen carefully to the 3 AUD source matrix for the Touch > Women to get a good idea of what it sounded like for the crowd that night. The stereo matrix and 5.1 multichannel mix give you a great feel for the room and the small size of the venue. For different reasons I really like the all AUD mix of those 2 songs. I think an argument could be made to produce an all AUD source as a companion to this SBD+AUDs version. --------------------------------------------------------- More On DTS Today\'s audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn\'t changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you\'re trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. *.flac [curator]Matthew Vernon[/curator][date]20080118043254[/date][state]dark[/state][comment]DTS source[/comment] 1 This source is availble in DTS 5.1 format (not streamable) 2008-03-16 22:45:17 Matthew Vernon