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<metadata>
  <identifier>zero088</identifier>
  <title>Myo - "Light"</title>
  <creator>Myo</creator>
  <mediatype>audio</mediatype>
  <collection>zeromoon</collection>
  <collection>netlabels</collection>
  <description>Myo is Cory O'Brien, an improviser who works with plexiglass, dry ice,&#13;
and computer. 'Light' is a collection of live and studio recordings&#13;
that focus on very active sounds in a minimal framework.&#13;
&#13;
Light was created with free software, and is licensed under a Creative&#13;
Commons Sampling+ License. Art is by Aghost.&#13;
&#13;
&lt;a href="http://myosound.com" rel="nofollow"&gt;myosound.com&lt;/a&gt;</description>
  <subject>improvised; digital; noise music</subject>
  <licenseurl>http://creativecommons.org/licenses/by/3.0/us/</licenseurl>
  <publicdate>2007-12-11 22:22:10</publicdate>
  <addeddate>2007-12-11 22:16:35</addeddate>
  <uploader>info@zeromoon.com</uploader>
  <updater>zeromoon</updater>
  <updater>zeromoon</updater>
  <updater>zeromoon</updater>
  <updater>zeromoon</updater>
  <updater>zeromoon</updater>
  <updater>zeromoon</updater>
  <updatedate>2007-12-12 00:56:18</updatedate>
  <updatedate>2008-01-29 15:19:09</updatedate>
  <updatedate>2008-04-15 16:45:34</updatedate>
  <updatedate>2008-04-15 16:51:40</updatedate>
  <updatedate>2008-04-15 16:55:41</updatedate>
  <updatedate>2008-04-15 17:07:34</updatedate>
  <notes>Music by Cory O'Brien, going by the name of Myo, has been reviewed&#13;
before: 'Process' was a CDR release by MT6 Records. Here he offers&#13;
a free download release, of two live pieces and three studio pieces,&#13;
although I must admit there is not much difference in studio and&#13;
live for him. O'Brien uses various pieces of free software along&#13;
with field recordings of power hum, other static electricity,&#13;
plexiglass and dry ice to record his own brand of noise meeting&#13;
microsound. Unlike the Russell release (see elsewhere), O'Brien's&#13;
music is more from the world of noise than from the microsound,&#13;
an influence that seems to be almost gone here. The end result&#13;
is certainly nice. Quite loud and noise based, but also more thought&#13;
out and constructed than the average noise musician. The dry ice&#13;
sounds nice, placed under pressure of feedback and transformed&#13;
using various pieces of software. Things work best for me when&#13;
he keep things under control, as in the first three pieces - when&#13;
he walks the finer line between silence and loudness. The final&#13;
two pieces dwell more on the loud part and were less interesting,&#13;
but throughout this is the noise that I like. (FdW) ~ Vital Weekly</notes>
  <updatedate>2008-04-25 15:25:12</updatedate>
  <updater>zeromoon</updater>
</metadata>
